Wes Montgomery


WMWes Montgomery (1923-1968) is one of the greatest jazz guitarists, emerging after such figures as Django Reinhardt and Charlie Christian. Montgomery has influenced all subsequent guitarists. Montgomery was born in Indianapolis, Indiana. He came from a musical family; his brothers, Monk (bass) and Buddy (vibraphone and piano), were jazz musicians. Montgomery started playing guitar relatively late, at the age of 19, by listening to recordings of Charlie Christian and Django Reinhardt. He developed an unusual technique where he used his thumb to pick notes, hence the nickname, “The Thumb.”

Wes Montgomery - Episode 1

Montgomery toured with vibraphonist Lionel Hampton's orchestra from July 1948 to January 1950, and can be heard on recordings from this period. Montgomery then returned to Indianapolis and did not record again until December 1957, when he took part in a session that included his brothers Monk and Buddy, as well as trumpeter Freddie Hubbard. Cannonball Adderley heard Montgomery in an Indianapolis club and was so impressed that the next day called record producer Orrin Keepnews, who signed Montgomery to a recording contract with Riverside Records. Adderley later recorded with Montgomery on his Pollwinners album.
CompositionArtistAlbumYear
Four on SixWes MontgomeryIncredible Jazz Guitar of WM1960
Seven Come ElevenCharlie Christian/Benny Goodman1939
Solo FlightCharlie Christian/Benny Goodman1941
NaugesDjango Reinhardt1948
LizaDjango Reinhardt1946
Billie’s BounceWes MontgomeryFinger Pickin’1957
Finger Pickin’Wes MontgomeryFinger Pickin’1957
Wes’ TuneWes MontgomeryMontgomery Land1958
AireginWes MontgomeryIncredible Jazz Guitar of WM1960

Wes Montgomery - Episode 2

Montgomery’s real career started with a series of albums on Riverside Records. Montgomery recorded with his brothers and various other musicians, including the Wynton Kelly Trio. Wes’ 1st important album, The Incredible Guitar of Wes Montgomery, was released in 1960 and was followed by a number of outstanding records that established him as the premier jazz guitarist of his day. Interestingly enough, tenor saxophonist John Coltrane asked Montgomery to join his band after a jam session ca. 1961, but Montgomery decided to continue leading his own band. He was the quintessential hard bop guitarist and it is interesting to speculate how a collaboration between Coltrane and Montgomery might have sounded.
CompositionArtistAlbumYear
Round MidnightWes MontgomeryThe Wes Montgomery Trio1959
Gone With the WindWes MontgomeryIncredible Jazz Guitar of WM1960
D Natural BluesWes MontgomeryIncredible Jazz Guitar of WM1960
S.O.S.Wes MontgomeryFull House1962
I’ve Grown Accustomed…Wes MontgomeryFull House1962
Full HouseWes MontgomeryFull House1962

Wes Montgomery - Episode 3

In the early 1960’s Wes continued to play in the hard bop style and his records were of the highest quality. In 1964 Montgomery moved to Verve Records for two years. His stay at Verve yielded a number of albums where he was featured with an orchestra---brass-dominated (Movin' Wes), string-oriented (Bumpin', Tequila), or a mix of both (Goin' Out of My Head, California Dreamin').

He never abandoned jazz entirely in the Verve years, whether with a few selections on most of the Verve albums, or by such classic recordings as Smokin' at the Half Note (1965) or the 2 albums he made with jazz organist Jimmy Smith, The Dynamic Duo and The Further Adventures of Jimmy and Wes. Many jazz purists complained that he abandoned hard-bop for pop jazz towards the end of his career, although it is arguable that he gained a wider audience for his earlier work through his commercial jazz recordings from 1965-1968. He continued to play outstanding live jazz guitar, as evidenced by surviving audio and video recordings from his 1965 tour of Europe.
CompositionArtistAlbumYear
Dearly BelovedWes MontgomeryThe Artistry of Wes Montgomery1963
Moanin'Wes MontgomeryPortrait of Wes1963
Four On SixWes MontgomerySmokin' at the Half Note1965
No BluesWes MontgomerySmokin' at The Half Note1965
James and WesJimmy SmithThe Further Adventures1966

Jimmy Smith


JimmySmith_GroovinAtSmallsOriginally a pianist, Jimmy Smith switched to organ in 1953 after hearing organist Wild Bill Davis. Before Jimmy released his albums in the mid 1950’s the organ was used only sporadically in jazz. After Smith purchased his first Hammond organ he rented a warehouse to practice in and emerged a year later with a new sound that revolutionized the way in which the instrument could be played.

Jimmy Smith - Episode 1

After hearing him playing in a Philadelphia club, Blue Note's Alfred Lion immediately signed him to the label. His first records quickly established Smith as a new star on the jazz scene. He was a prolific recording artist, and as a leader, recorded over 30 sessions for Blue Note in 8 years beginning in 1956. His most notable albums from this period include The Sermon!, House Party, Home Cookin,' Midnight Special, Back at the Chicken Shack, Prayer Meetin' and a number of live sessions. During the 1950s and 1960s, Smith recorded with many important jazz musicians including Kenny Burrell, George Benson, Grant Green, Stanley Turrentine, Lee Morgan, Lou Donaldson, Tina Brooks, Jackie McLean, Grady Tate and Donald Bailey.
CompositionArtistAlbumYear
Back at the Chicken ShackJimmy SmithBack at the Chicken Shack1960
Flying HomeWild Bill DavisDance the Madison1960
Anahuaca BreakdownBill Doggettca. 1955
Sweet Georgia BrownMilt Bucknerca. 1970
The PreacherJimmy SmithA New Star….A New Sound1956
But Not for MeJimmy SmithA New Star….A New Sound1956
ChampJimmy SmithA New Star….A New Sound1956

Jimmy Smith - Episode 2

1957 and 1958 were very busy years for Jimmy Smith on the Blue Note Record Label. There are many unique challenges recording a Hammond B-3 organ----this mostly has to do with the Leslie Tone Cabinet. The problem was solved by Blue Note recording engineer Rudy Van Gelder and this is the reason that the records have great clarity. The live recordings from the late 1950’s really capture the excitement and energy of Jimmy’s group and the sound quality of the recordings is outstanding.
CompositionArtistAlbumYear
The SermonJimmy SmithThe Sermon1957
It’s Only a Paper MoonJimmy SmithGroovin’ at Smalls1957
A Night in TunisiaJimmy SmithCool Blues (live)1958
Cool BluesJimmy SmithCool Blues (live)1958
I Got a WomanJimmy SmithHome Cookin’1959
Since I Fell for YouJimmy SmithHome Cookin’1959
Jumpin’ the BluesJimmy SmithMidnight Special1960
When the Saints Go MarchingJimmy SmithPrayer Meetin’1963