Django Reinhardt

django1Guitarist Django Reinhardt (1910-1953) was the first non-U.S. born jazz legend. Born to a Gyspy family in Belgium he spent most of his life in France and is often claimed as French. Influenced by the eastern European exotic sound of gypsy music, he was able to combine it with American jazz to establish a unique and original style that rivaled any American jazz musician. Together with violinist Stephane Grappelli, they formed what would be the most important European jazz group prior to 1950, the Quintet of the Hot Club of France in 1934. Originally starting out on the banjo he switched to the guitar as a teenager. He was burned in a fire when he was 18, which resulted in a disfigured left hand. It was thought that he would never play again.

DJango Reinhardt - Episode 1

That Moaning TromboneJames Reese Europe 369th Hell Fighters Band1919
Hijaz Tsiftelli Gypsy Music of Constantinopleca. 1995
Solaeres RodrigoGypsy Passions: The Flamenco Guitar1993
Two Guitars Zoltan and His Gypsy EnsembleGypsy Music from Romania and Hungary 1994
The Wild Dog Eddie Lang and Joe Venuti1928
Prelude (Rachmaninov) Eddie Lang1927
Tiger Rag Quintet of the Hot Club of France1934
Lady Be GoodQuintet of the Hot Club of France1934

Django Reinhard - Episode 2

There were a great number of American jazz musicians travelling to Paris in the 1930’s including Benny Carter, Bill Coleman, Duke Ellington, Louis Armstrong, Coleman Hawkins, Arthur Briggs, Dickie Wells, and many others. His 1934 recording of Dinah attracted much attention and lead to many opportunities for him to record with the Quintet and a variety of other groups in Paris. The recordings from the mid-1930’s represent some of his best work.
I Can’t Give You Anything But Love Quintet of the Hot Club of France 1936
DinahQuintet of the Hot Club of France 1934
DjangologyQuintet of the Hot Club of France 1935
Crazy StringMichel Warlop Orchestra1936
MabelQuintet of the Hot Club of France 1937
Appel DirectQuintet of the Hot Club of France 1938
Tea for TwoDjango Reinhardt1937
St. Louis BluesQuintet of the Hot Club of France 1937

Django Reinhardt - Episode 3

I'll See You in My DreamsDjango Reinhardt Trio1939
BoleroQuintet of the Hot Club of France 1937
Minor SwingQuintet of the Hot Club of France 1937
Minor SwingDjango Reinhardt w/Stephan Grappelli1949
Echoes of SpainDjango Reinhardt1939
NuagesQuintet of the Hot Club of France1940
NuagesDjango Reinhardt w/Stephan Grappelli1948

Django Reinhardt - Episode 4 - The War Years

CompositonArtist Year
Les Yeux NoirsGeorges Boulanger and his Orchestra ca. 1933
Les Yeux NoirsQuintet of the Hot Club of France1940
Rhythm FutureQuintet of the Hot Club of France1940
Limehouse BluesDjango Reinhardt Big Band1940
NympheasDjango Reinhardt Big Band1942
FeerieDjango Reinhardt Big Band1942
Douce AmbianceDjango Reinhardt and Quintet of the Hot Club 1943
BellevilleDjango Reinhardt with Stephane Grappelli1946

Django Reinhardt - Episode 5 - The Bebop Years

Babik (Bi-Bop)Django Reinhardt and His Quintet of the Hot Club1946
Del SalleDjango Reinhardt and His Quintet of the Hot Club1946
Les Yeux NoirsDjango Reinhardt1947
ImpromptuDjango Reinhardtca. 1950
AnoumanDjango Reinhardt1953

History of Jazz Guitar

Eddie LangThe banjo was more popular than the guitar in the late 19th century and first decades of the 20th century. The banjo could project more sound and be heard more easily than the guitar. Most early guitarists started out on the banjo and many were inventors who constantly modified their instruments. The early banjo style is based largely on the ragtime and marches that were so popular at the turn of the century. The Hawaiian style of slide or pedal guitar became very popular amongst blues and Texas swing guitarists of the 1930s.

The History of Jazz Guitar - Episode 1

Air Mail SpecialCharlie Christian/Benny Goodman1941
St. Louis TickleVess Ossman1906
Old Folks RagFred Van Eps1910
Chain Gang BluesSam Moore1921
MinnehahaSam Koki with Andy Aiona Islanders1936
Twin Guitar SpecialLeon McAuliffe and Eldon Shamblin with Bob Wills Playboys1941

The History of Jazz Guitar - Epsiode 2

A Handful of RiffsLonnie Johnson/Eddie Lang1929
Teasin’ the FretsNick Lucas1932
Hotter Than ThatLonnie Johnson/Louis Armstrong1927
Savoy BluesJohnny St. Cyr/Lonnie Johnson/Louis Armstrong Hot 51927
Playing With the StringsLonnie Johnson1928
Add a Little WiggleEddie Lang1928

The History of Jazz Guitar - Episode 3

Add a Little WiggleEddie Lang1928
Eddies TwisterEddie Lang1927
Feeling My WayEddie Lang and Carl Kress1932
Pickin’ My WayEddie Lang and Carl Kress1932
Peg Leg ShuffleCarl Kress1939

The History of Jazz Guitar - Episode 4

Carl Kress and Dick McDonough were important exponents of Eddie Lang’s style and made many important recordings in the late 1930’s. The remainder of this show will feature the work of the great Gypsy guitarist Django Reinhardt who spent most of career in Paris and is probably the first great non-U.S. born jazz musician. Django’s recordings are all the more astounding when you consider that he lost 3 fingers on his left hand in a fire as a teenager.
DanzonCarl Kress and Dick McDonough1934
Honeysuckle RoseDick McDonough1937
BellevilleDjango Reinhardt with Stephan Grappelli1946
DinahDjango Reinhardt1934
Tiger RagDjango Reinhardt with Hot Club of France1934
NuagesDjango Reinhardt1948

The History of Jazz Guitar - Episode 5

This is podcast continuation of the important 1930’s jazz guitarists---we will listen to some lesser known, but great artists from that era.
This Side UpOscar Moore/Nat Cole Trio1940
Toledo ShuffleBernard Addison and his Rhythm Kings1935
Way down Yonder in New OrleansEddie Durham/Kansas City 61938
Jeepers CreepersOscar Aleman1939
Swingin’ on the StringsInk Spots1935

History of Jazz Guitar - Episode 6

Charlie Christian is the focus of this podcast. Christian is the most important of the swing era guitarists who came to fame in the late 1930’s with the Benny Goodman Sextet and Orchestra. His guitar playing is an important transition between the swing style of the 1930’s and the newer bebop style that was beginning to evolve in New York at the jam sessions in the early 1940’s. In his short career he left an important legacy and a new direction for jazz guitarists.
Seven Come ElevenCharlie Christian/Benny Goodman Sextet1939
Solo FlightCharlie Christian/Benny Goodman Orchestra1941
The Breakfast FeudCharlie Christian/Benny Goodman Sextet1941
Air Mail SpecialCharlie Christian/Benny Goodman Septet1941