Scott LaFaro

LaFaro 4Scott LaFaro (1936-1961) was a groundbreaking and innovative bassist. He performed and recorded with some of the most influential jazz musicians from 1957 until his untimely death in 1961 in an automobile accident. Originally a clarinetist, his story is unusual in that he did not begin playing the bass until he was almost 18 years old. He left college after his 1st year and quickly gained notoriety as a bassist on the west coast. The success and attention garnered by these early recordings attracted much attention in the jazz community. His playing shows the influence of the master bassists of the 1940s and 1950s, but he quickly separated himself from the pack. His playing is characterized by near perfect intonation, good harmonic understanding, full round sound, and a different approach to technique that utilized all four fingers on his right hand. This allowed him to literally dance across the strings and play in a much more acrobatic manner that his predecessors and many of his peers.

Scott LaFaro - Episode 1

On this podcast we will listen to some of his influences and check out his first recordings.
Sepia PanoramaJimmy Blanton/Duke Ellington1941
The HoneydripperRay Brown/Oscar PetersonNight Train1962
Softly As In A Morning SunrisePaul ChambersThe Paul Chambers Quintet1957
Serpent's ToothVictor FeldmanThe Arrival of Victor Feldman1958
BebopVictor FeldmanThe Arrival of Victor Feldman1958
For RealHampton HawesFor Real!1958
Chasing ShadowsVictor FeldmanThe Arrival of Victor Feldman1958
Ginza SambaStan Getz and Cal Tjader Sextet1958

Scott LaFaro - Episode 2

Before his tenure with the famous Bill Evans Trio, Scott performed with a number of well-known big bands in California. He was a featured soloist with the Stan Kenton Orchestra for a short period in 1959, also making memorable recordings with arranger Marty Paich and saxophonists Stan Getz and Herb Geller. Moving back to New York in late 1959, LaFaro began his association with a number of influential musicians and recorded on a number of groundbreaking recordings. Work with Booker Little, Ornette Coleman, and John Lewis helped solidify him as one of the most important young bassists on the jazz scene. His performance, together with bassist Charlie Haden, on the groundbreaking recording Free Jazz in 1960 was a revelation for bassists. This free approach to jazz would revolutionize jazz in the 1960s. His association with pianist Bill Evans began in the late 1950s. Scott brought a new, more interactive approach to his work with the Evans trio starting in 1959.
It’s Alright with MeMarty PaichBroadway Bit1959
Bernie's TuneStan KentonStan Kenton in Concert1959
Cow SongHerb GellerGypsy1959
Bee Tee's Minor PleaBooker LittleBooker Little1960
Variant IJohn LewisJazz Abstractions1960
Variants on Criss CrossJohn LewisJazz Abstractions1960

Scott LaFaro - Episode 3

The recordings from this podcast chronicle his early work with pianist Bill Evans and some one-off recordings with clarinetist Toney Scott and a short live trio with pianist Steve Kuhn. What sets the Evans trio apart from other similar groups was the interactive approach they took. The Evans Trio was unique and groundbreaking in that all 3 instruments were liberated from the traditional roles set for them by the previous generation of jazz musicians.
Blues for an African FriendTony ScottSung Heroes1959
What Is This Thing Called LoveBill EvansPortrait in Jazz1959
Autumn LeavesBill EvansPortrait in Jazz1959
So WhatSteve Kuhn1960
Free JazzOrnette ColemanFree Jazz1960
Sweet and LovelyBill EvansExplorations1961

Scott LaFaro - Episode 4

I call this podcast “A Day in the Life of Scott Lafaro.” The recordings on this podcast are from the Live at the Village Vanguard sessions from late June 1961. These recordings are some of the most celebrated live jazz recordings ever made. One can listen with bittersweet amazement at the level of performance while knowing that LaFaro’s life would end a week later.
Alice in WonderlandBill EvansLive at the Village Vanguard1961
Detour AheadBill EvansLive at the Village Vanguard1961
Gloria's StepBill EvansLive at the Village Vanguard1961
SolarBill EvansLive at the Village Vanguard1961
Waltz for DebbieBill EvansLive at the Village Vanguard1961

Booker Little

Booker_Little1In an all-to-short life of 23 years, Booker Little established himself as one of the greatest jazz trumpet players of the 2nd half of the 20th century. He possessed blazing technique, unsurpassed melodic gifts, deep harmonic understanding, and a fearless approach to improvisation.

Booker Little - Episode 1

In an all-to-short life of 23 years, Booker was able to play and record with some of the most important musicians of the late 1950’s and early 1960’s including Eric Dolphy, Max Roach and John Coltrane. On this podcast I will examine his influences and his first recordings from 1958.
Minor SweetBooker LittleBooker Little Quartet1960
Blues WalkClifford BrownStudy in Brown1955
ShirleyBooker Little/Max RoachMax Roach on the Chicago Scene1958
Memo to MauriceBooker Little/Max RoachMax Roach on the Chicago Scene1958
My Old FlameBooker Little/Max RoachMax Roach on the Chicago Scene1958
Larry LarueBooker Little/Max RoachDeeds, Not Words1958

Booker Little - Episode 2

By 1958 Booker Little was recording under his own name. Although only 20 years old, the recordings show a musician of great poise and maturity. He begins to emerge as serious composer and arranger. His playing continues to improve and his technical prowess allows him utilize acrobatic leaps in his improvisations. In 1960 he began his musical association with Eric Dolphy. The two musicians’ playing complemented each other and helped to bring Booker greater exposure.
MilestonesBooker LittleBooker Little 4 and Max Roach1958
Dungeon WaltzBooker LittleBooker Little 4 and Max Roach1958
A Starling's ThemeBooker Little/Frank StrozierFantastic Frank Strozier1959
There's No YouBooker Little/Max RoachThe Many Sides of Max1959
Minor SweetBooker LittleBooker Little1960
Far CryBooker Little/Eric DolphyFar Cry1960

Booker Little - Episode 3

On this podcast we will listen to selections from his two last albums recorded under his name before he passed in the fall of 1961. His compositions and arrangements continued to mature and increasingly began to show the influence of modern 20th orchestral composers. I can’t predict what he might have accomplished had he lived longer, but he made a great impact in a short period of time.
We SpeakBooker LittleOut Front1961
Strength and Sanity Booker LittleOut Front1961
Victory and Sorrow Booker LittleVictory and Sorrow1961
Looking AheadBooker Little Victory and Sorrow1961