Wardell Gray

Gray 3Carl Wardell Gray was born in 1921 in Oklahoma City and his family moved to Detroit, Michigan in 1929. Gray attended Cass Technical High School in downtown Detroit, which is noted for having Donald Byrd, Lucky Thompson, Howard McGhee, and Gerald Wilson as alumni. He started on the clarinet, but later switched to the tenor saxophone. His main influence on tenor was Lester Young. Through an acquaintance Wardell was recommended to band leader Earl Hines and was hired in 1943. The Earl Hines Orchestra had nurtured the careers of a number of emerging bebop musicians, including Dizzy Gillespie and Charlie Parker. Unlike many of his early contemporaries, Hines was sympathetic to the new developments in jazz that were underway. Wardell spent approximately three years with Hines, and became a featured soloist.

Wardell Gray - Episode 1

Gray left the Hines band in July of 1946 and resettled in Los Angeles and became a fixture in the Central Avenue jazz scene. He recorded his 1st session under his own name in 1946. This was a quartet date, known as "One for Prez," for Sunset Records. The other players included Dodo Marmarosa (piano), Red Callender (bass) and Chuck Thompson (drums). Wardell was also a member of Gene Norman's All Stars and successfully toured up and down the West Coast with them in a manner reminiscent of Norman Granz’ JATP concerts. The highlight of most of the concerts was a battle between two leading players, and in the case of the Gene Norman concerts it was usually Dexter Gordon and Wardell Gray.
Groovin' HighWardell Gray/Howard McGhee Sextet1947
Straight LifeWardell Gray/Earl Hines & His Orchestra1946
Let's Get StartedWardell Gray/Earl Hines & His Orchestra1946
BambyWardell Gray/Earl Hines & His Orchestra1946
Dell's BellsWardell Gray Quartet1946
One for PrezWardell Gray Quartet1946
Easy SwingWardell Gray Quartet1946
Blue LouWardell Gray/Errol Garner GNP1947
BebopWardell and Friends/Howard McGhee Sextet1947

Wardell Gray - Episode 2

The successful pairing of the two tenor players led to the recording of "The Chase" on Dial Records in June, 1947. This was released as a "battle of the tenors" affair over the two sides of a 78 rpm record and received much attention among jazz fans at the time. They both exhibited great technical prowess on their instruments, but were stylistically quite different with Gray's lighter touch complementing Gordon's more forceful attack. In 1948 Wardell relocated to New York and became a regular at the Royal Roost on Broadway. The Roost was home to the Tadd Dameron/Fats Navarro group, the Miles Davis Nonet, and for a period, the Count Basie Orchestra. While Gray was with the Benny Goodman Septet in 1948, he still had opportunities to participate in his own recording sessions and to appear with other groups including Tadd Dameron.
The ChaseWardell Gray/Dexter Gordon1947
Light GrayWardell Gray Quartet1948
Cookin' On UpBenny Goodman Septet1948
Bye Bye Blues BopBenny Goodman Septet1948
Stealin' ApplesBenny Goodman Septet1948
SymphonetteTadd Dameron Sextet1948
ShawnWardell Gray Quintet1948

Wardell Gray - Episode 3

And after leaving Benny Goodman in late September of 1949, he was based mainly in the mid-west, especially Chicago, appearing with a variety of artists including Billie Holiday. One of Wardell’s recording sessions produced the medium tempo blues "Twisted." A few years later vocalist Annie Ross put some very clever words to his solo and recorded a best-selling vocalese version of "Twisted." Count Basie was not immune to the pressures that Goodman faced and was forced to disband his full orchestra. In August of 1950 he decided to form a smaller group with Clark Terry (trumpet), Buddy DeFranco (clarinet) and Gray (tenor sax) as the front horn line. Gray soon established himself as the lead solo tenor player, thus assuming the role as one of Lester Young's successors with the Basie orchestra. He can be heard on "Little Pony" and "Every Tub" where he is prominently featured. In 1952 Wardell moved back to Los Angeles and would never return to the east coast. Gray participated in a number of memorable sessions in 1952 including work with Art Famer and drummer Louis Bellson.
Sugar Hill BopWardell Gray Quartet1949
In A PinchWardell Gray Quartet1949
TwistedWardell Gray Quartet1949
TwistedLambert, Hendricks and Ross1959
Little PonyCount Basie & His Orchestra1951
Farmer's MarketWardell Gray w/Art Farmer1952
The Jeep is Jumpin'Louis Bellson and The Just Jazz All Stars1952
Punkin'Louis Bellson and The Just Jazz All Stars1952

Bunny Berrigan

Bunny_BerriganTrumpet player Rowland Bernard “Bunny” Berigan was born in 1908 in Fox Lake, Wisconsin. A virtuoso, he rose to fame during the swing era and performed with many of the most important bands of that era including Benny Goodman, Hal Kemp, Paul Whiteman, Glenn Miller, and Tommy Dorsey before forming his own big band in the late 1930s. He was also a composer and his 1937 classic jazz recording “I Can’t Get Started with You” was inducted into the Grammy Hall of Fame in 1975.

Bunny Berrigan - Episode 1

Bunny's earliest influences were Louis Armstrong and Bix Beiderbecke. Early in his career he played with numerous territory bands before moving to New York in 1929. In New York he worked in recording studios, played with major radio orchestras, and performed in dance bands. A jack of all trades, Berigan was a great soloist, could play lead trumpet, could read any piece of music put before him, and was universally liked and admired.
Struttin' with Some BarbequeLouis Armstrong and Hot 71927
Potato Head BluesLouis Armstrong and Hot 71927
River Boat ShuffleBix Beiderbecke/Frankie Trumbauer Orchestra1927
Goose PimplesBix Beiderbecke and New Orleans Lucky 71927
Nothin' but the BluesBunny Berrigan and the Gene Gifford Orchestra1935
King Porter StompBunny Berrigan and Benny Goodman1935

Bunny Berrigan - Episode 2

Berigan left the Goodman band after playing in the group for about a year. He soon formed his own group and in between performed with the Tommy Dorsey Orchestra; his solos on the Dorsey hits "Marie" and the “Song of India” are considered some of his finest work. In 1937 when he was able to secure adequate financial backing, Berigan assembled a band to record under his name. He picked a little known Ira Gershwin/Vernon Duke composition, "I Can't Get Started" to record and it became his most memorable recording and also his theme song. The addition of his “reedy” vocal only adds to the charm of this important recording. Like Bix Beiderbecke, Berigan’s early demise at age 33 left a void in the trumpet world.
Sometimes I'm HappyBunny Berrigan and Benny Goodman1935
A Fine RomanceBunny Berrigan and the Billie Holiday Orchestra1936
Honeysuckle RoseBenny Berrigan Jam Session at Victor1937
BluesBunny Berrigan Jam Session at Victor1937
I Can't Get StartedBunny Berrigan and His Orchestra1937
Song of IndiaBunny Berrigan and the Tommy Dorsey Orchestra1937
MarieBunny Berrigan and the Tommy Dorsey Orchestra1937
Black BottomBunny Berrigan and his Orchestra1938