Ahmad Jamal (born 1930) was one of the important jazz pianists and trio leaders of the 1950’s and 1960’s. Originally from Pittsburgh, PA this “underexposed” musician had a unique approach to improvisation, form, and leading a jazz trio. He was one of the most iconic figures of the last 60 years. His use of space and silence, tension and release, and dynamics were as unique as was the manner in which he utilized his trio in “orchestral” terms.
Ahmad Jamal - Episode 1
This podcast will highlight some of the important figures that influenced Ahmad’s approach to jazz including Art Tatum, Errol Garner, and Nat Cole. Included is one selection from his important 1955 recording, Chamber Music of the New Jazz featuring Ray Crosby on guitar and Israel Crosby on bass, and one from his famous Live at the Spotlight session.
Artist | Composition | Album | Year |
Art Tatum | Flying Home | Live 1953-1955 | 1954 |
Errol Garner | Laura (Solo Piano) | Rosetta Volume 2 | 1945 |
Nat Cole | Lester Leaps In | J.A.T.P. - The First Concert | 1944 |
Count Basie | Basie's Boogie | Live in Switzerland | 1959 |
Ahamad Jamal | New Rhumba | Chambers of the New Jazz | 1955 |
Ahmad Jamal | Autumn Leaves | Live at the Spotlight Club | 1958 |
Ahmad Jamal - Episode 2
In the mid 1950’s through the early 1960’s Ahmad Jamal had one of the most unique and innovative trios on the jazz scene. The trio in 1955 featured piano, bass and guitar—soon the guitarist would be replaced by number of different drummers until he hired drummer Vernell Fournier from New Orleans. Ahmad’s greatest recordings from this period were all recorded live during long-standing playing engagements in Chicago, Washington, D.C., San Francisco, and other major cities. This podcast will feature some of the most important recordings that illustrate the group’s unique approach to arrangement, the use of silence and space, group interplay, dynamics, and the variety of textures he was able to achieve.
Artist | Composition | Album | Year |
Ahmad Jamal | Poinciana | Live at the Pershing Lounge | 1955 |
Ahmad Jamal | Darn That Dream | Live at the Blackhawk | 1962 |
Ahmad Jamal | Let's Fall in Love | Live at the Spotlight | 1958 |
Ahmad Jamal | But Not for Me | LIve at the Pershing Lounge | 1958 |
Ahmad Jamal - Episode 3
The relationship between Ahmad Jamal, Miles Davis, and Gil Evans is well documented in recordings, print, and interviews. Miles often remarked on how much he admired the Ahmad Jamal Trio and Ahmad’s economy and use of space. On this podcast I will examine the musical relationship between some of Jamal’s important recordings and the subsequent recordings by Miles Davis, and the Gil Evans and Miles Davis famous collaboration, Miles Ahead (Miles +19).
Artist | Composition | Album | Year |
Ahmad Jamal | A Gal in Calico | Live at the Spotlight Club | 1958 |
Ahmad Jamal | Ahmad’s Blues | Live at the Spotlight Club | 1958 |
Miles Davis | Ahmad’s Blues | Working With the Miles Davis Quintet | 1956 |
Ahmad Jamal | Autumn Leaves | Live at the Spotlight Club | 1958 |
Cannonball Adderley | Autumn Leaves | Somethin’ Else | 1958 |
Ahmad | New Rhumba | Chamber Music of the New Jazz | 1955 |
Miles Davis | New Rhumba | Miles Ahead (Miles +19) | 1957 |
Ahmad Jamal | I Don’t Wanna Be Kissed | Chamber Music of the New Jazz | 1955 |
Miles Davis | I Don’t Wanna Be Kissed | Miles Ahead (Miles +19) | 1957 |
Ahmad Jamal | On Green Dolphin Street | Count’em 88 | 1956 |
Miles Davis | On Green Dolphin Street | The ‘58 Sessions | 1958 |
Ahmad Jamal | Pavanne | Live at the Spotlight Club | 1958 |
John Coltrane | Impressions | Impressions: The John Coltrane Group | 1961 |
Ahmad Jamal | Surrey with the Fringe on Top | Live at the Pershing Lounge | 1958 |